Yet slightly more intriguing to me was the use of language and titles in many of the more contemporary works at SFMOMA. Check out Robert Bechtle's irreverent Watsonville Olympia from 1977:

And anyone with a painting or art history degree (or, in my case, a wife with one) will recognize the inside joke (at Manet's expense). Here's Manet's Olympia:
What mountains an artist must climb. Happy Father's Day!

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